Burlesque Past and Present: Mistinguett and her lengthy legs

The art of the tease is on everyone's lips; with a rising interest in burlesque, cabaret clubs are in full swing and new acts are cropping up every week. At Playful Promises we just adore a bit of cheek, and would love to introduce you to our favourite burly girls, past and present! Keep your eyes firmly peeled, as each week we feature inspiring performers guaranteed to set pulses racing!

Although I am cheating slightly, featuring a lady who wasn't necessarily thought of as a burlesque artist, she did pave the way for many a showgirl; making glamorous, gigantic headdresses and vast skirt trains of feathers a popular performance costume. 

Mistinguett, real name Jeanne Bourgeois, was THE female entertainer of her time, with legs that would make men melt at her feet! 

Determined to make it in show business, she left her humble beginnings as a flower seller in a restaurant and began her career in 1885 after taking classes in singing and theatre. Apparently those classes didn't do much good, as it was noted that she didn't have much of a singing voice, nor could she dance well or be particularly visually appealing, so she made her name the only way she could: a charismatic personality. 

 

That and her legs! She explains "the rest had to be created. I had to invent something.... my legs, 'the lovliest legs in the world', [an idea that] came out of my head." Indeed, those legs were the basis of her career; in fact, in 1919 she insured them for 500,000 francs! 

Bourgeois (and with a surname like that, you would most certainly need something catchier for the stage!) experimented with various stage names, such as Miss Helyett, Miss Tinguette, Minstinguette, before finally settling on Mistinguett. She debuted at the Casino de Paris in 1895 before moving on to appear at notorious venues such as Folies Bergere and the Moulin Rouge. 

 

Mistinguett was the epitome of showbiz decadence during the turn of the century. Her cheeky performance style became well known; once, while singing, an audience member shouted, "higher!", to which she lifted her skirt (and you can imagine what an uproar that caused!).

Rumor has it that she was romantically involved with Alphonso XIII, the King of Spain and the Russian Prince Orloff, and was BFFs with Jean Cocteau and Oscar Wilde. 

She was also best known for her signature song "Mon Homme", recording it in 1920. You may have heard the popular English version "My Man", which became a staple of the cabaret world for years to come. 

 

Burlesque Past and Present: Lydia Thompson

The art of the tease is on everyone's lips; with a rising interest in burlesque, cabaret clubs are in full swing and new acts are cropping up every week. At Playful Promises we just adore a bit of cheek, and would love to introduce you to our favourite burly girls, past and present! Keep your eyes firmly peeled, as each week we feature inspiring performers guaranteed to set pulses racing!

Kicking off our naughty series it is only fitting that we discuss the woman that helped shape Burlesque as it exists today: Lydia Thompson.

Often credited as the burly-godmother of American Burlesque, Lydia was a dancer and producer, who successfully introduced this quaint English vaudeville act to the American public. Back when the art form stuck strictly to the origin of the word (in Italian 'burla' means a mockery), the acts revolved around parodying rather than the sexual striptease we are now familiar with. Popular during Victorian London, burlesque was a form of musical theatre, which was often quite risqué for the time.

Flesh-coloured tights shocked and thrilled the audience, giving the impression of naked flesh (rather like nipple pasties are used since!). While this became ever so slightly passé in fashionable London, in 1868 Lydia Thompson took her troupe, The British Blondes, overseas to New York. When this group of women with bleached hair landed in America with little but a pair of tights, tickets we snapped up in a fit of ecstasy. 

Whoever had been dealing with Lydia's PR had hit a goldmine. I just love this story which spread itself around before the debut shows: "Captain Ludoc Baumbarten of the Russian dragoons took some flowers and a glove belonging to Miss Thompson, placed them on his breast; then shot himself through the heart, leaving on his table a note stating that his love for her brought on the fatal act." Whether this dramatic tale is true, we don't know, but the men of America were stricken with a lust for Lydia. 

She must have been particularly charming, as the view of young women's legs was no new experience - "leg shows" had been around for years. This new format of titillation had captured it's audience, allowing the shows to develop into full length revues, and their original schedule of 6 months was extended to a jaw-dropping 6 years. 

Not only did these ladies look amazing, but you definitely didn't want to mess with them. Bizarrely, an incident where Lydia, her husband and another troupe member, Pauline Markham, horse-whipped a critic at gunpoint only lead to a fine and increased popularity. Burlesque is serious business after all. 

Another particularly interesting point to mention about Lydia was that she was known for her roles as the 'principle boy', the leading male character. While this was a standard in burlesque, many claim she was one of the first great Drag Kings, and the idea of a woman dressed and acting like a male further infuriated critics.

While burlesque went out of fashion in England at the end of the 19th century, the American style grew into it's own genre. Sexuality became an increasingly common feature; what began with "cooch" dances moved into strip shows in the 1930s. But that is a whole other blog post!

Backstage with Burlexe

Burlexe is a unique play about the lives of women in burlesque. It fuses performance with storytelling, dancing with acting. It’s about strong, powerful, amazing women and it’s like nothing you’ve seen before.

We went behind-the-scenes to find a unique sisterhood, which actually reflects what’s happening on stage.

- Burlexe mixes the inimitable Kele le Roc with actresses and guest burlesquers – it’s a living soap opera with highs, hilarity and a good deal of glitter.  

- On stage, Kele le Roc is the most hilarious of comperes, flicking her whip and backstage she’s holding court with stories told in a myriad of accents.

Image by Tigz Rice

- Girls arrive for the pre-show walk-through in leggings and Ugg boots but emerge on stage as glamorous goddesses be it exotic like Luna Rosa or gothic a la Aurora Galore.

- It’s glamorous but girly with backstories are led by hormones, love life, current circumstances and losing an earring.

Kiki Kaboom by Tigz Rice

- Conversations are about make-up and costume tips, where to get just-as-good-but-not-as-expensive-Swarovski-alikey crystals. And did you know what a see-string is? A G-string to perform in. Where can we get one of those? Ask Bettsie BonBon…

Want to find out more?

Embracing Your Alter Ego – How Having a Stage Name or Persona Can Improve Your Confidence

Tigz Rice is an internationally published photographer specializing in burlesque and boudoir photography. Opening the doors to her photography studio Tigz Rice Studios in December 2009, Tigz has had the privilege of working with some of the top industry names, including the official photography at a number of the European Burlesque Festivals. When she’s not taking photographs, Tigz also performs burlesque throughout the UK under the pseudonym of Raven Six and has just been nominated as a finalist in the newcomer section of the World Burlesque Games.

© Tigz Rice Studios

If you had the unfortunate pleasure of meeting me during my early years, you’ll probably remember that I was one of the most boring children in the playground. In fact, I was so ‘glum’ – as my year six tutor so wonderfully put it – after many years of school bullying for being a little overweight and having a maturity level of several years above my own age group, that I invented an alter ego. I’m not really sure if it was planned or not as the name Tigz was originally intended as nothing more than a bit of harmless fun on a youth club camping trip. However, this alter ego brought something else out of me that weekend and I started signing off everything with this new name. Inspired by the cartoon character, I suppose it allowed me to channel a few more of Tigger’s Traits, becoming far more playful in my personality and allowing me to completely bounce back from any negativity I experienced. The new ‘me’ embraced unpopular music, had extreme hairstyles, vocalised opinions and generally challenged conformity without the fear of acceptance. Ironically, it was this new persona that finally did bring the acceptance I’d craved for years – but by then I was way past the point of caring about what other people thought about me.

Having recently taken the plunge into the burlesque industry as a performer, I have once again found a need to create a new alter ego to segregate that part of my life from my businesswoman mindset. Raven is inspired by one specific memory in my teenage years and seems to be a division of Tigz - rather than being two separate people, they are like twins with Raven being the far more mischievous one! Raven is the dare devil, the stripper, the uninhibited. She doesn’t ask for attention, she demands it. She epitomises the bird of prey – elegant yet deadly, never smiling. Tigz, on the other hand epitomizes the Tiger. She is powerful, strategic and fiercely competitive, yet has a cuddly, playful disposition if you get her in the right mood! I’m sure there is a reason why I’ve chosen to name myself after to predatorial animals, but that’s probably going a little too deep for a blog post…

Many people from all walks of life embrace an alter ego, whether its to separate fun from responsibility or to give them more confidence in situations they wouldn’t otherwise feel comfortable in. When posing this thought to the powers of social media, burlesque performer Ruby Woo wrote “As soon as I think ‘OK, what would Ruby Woo do?’ I forget myself for 5 minutes because I’m in someone else's mind set.” Using a different name also can provide anonymity for those who would prefer to keep parts of their life completely separate. Miss Von Trapp replied “being Miss Von Trapp enables me to [differentiate] from my other roles as worker and mother.” My personal favourite response came from Divine Miss Em, who wrote “If the audience don't like what I do I can blame that naughty Divine Miss Em and not take it personally!”

Having an alter ego isn’t just about stage presence either. Lizzi Hobcraft, founder of Betty Blues Loungerie says that have an alter ego is an important part of her company branding. “It's like acting - you create a character that can project your 'brand'. I couldn't get up on stage and talk to an audience about me but ' Betty' is not me so somehow it is less scary.” Many other people responded in the same way that I feel about the name ‘Tigz’. “Miss Honey is the ultimate expression of  'me-ness' and a play on my nickname”, says hair and make up artist Miss Honey Bare, whilst actress Jo Richardson wrote “my [alter ego] embodies all the women I admire and who inspire me. I know when to leave her sleeping, and likewise, when to let her take the lead”

Embracing your alter ego is not only fun, but a great way to challenge yourself to new experiences, whether it is wearing more provocative underwear, applying for that promotion or jumping out of a plane! Why not try it – you might be surprised by your own capabilities…

Welcome to Burlexe: Competition

At Playful Promises we already know that Valentine's Day is all about making women feel great, whether you are being pampered by someone else, or just reserving a bit of you-time! And what could be more of a treat than a night of burlesque and some new lingerie!

And not just any night of burlesque, but London's brand new theatrical experience, Burlexe! 

Based on the stories of the incredible women who created and nurtured the artform, this new show fuses performance with storytelling, dancing and acting as it represents the history of burlesque. Created using real interviews with current burlesque stars, and anecdotes from the past, Burlexe reveals what it means to perform and subsequently, also what it means to be a woman. 

Featuring the crème de la crème of UK burlesque, with the likes of Fancy Chance, Kiki Kaboom and Luna Rosa, plus r'n'b popstar Kele Le Roc, the night is set to be fun and thrilling! The next event will also feature a special guest appearance from London Academy of Burlesque's Jo King on a rare return to the UK.

We have teamed up with the fabulous minds behind Burlexe to give away a pair of tickets, for you and a friend for the next show on the 22nd of February! If that isn't enough you can also pamper yourself with a £50 lingerie voucher to spend at Playful Promises! 

To enter, email info@playfulpromises.com with the subject title “Burlexe Competition”, and the winner will be picked on the 19th - Good luck!

To find out more about Burlexe, keep an eye on their facebook, twitter or blog.