Couture Rubber: Kaori's Latex Dreams

Think of latex and you probably think of all kinds of kinkiness; clothing that is reserved for BDSM or fetish clubs. It's no wonder that this tight, figure-hugging rubber has become such an icon of the fetish world - it is known to feel like a second skin. But as fashion develops and searches for new ways of pushing boundaries, so has it taken on latex as a couture statement. 

Thanks to the internet allowing access to international suppliers, the latex industry has grown dramatically since 2000. Although there are hundreds of designers currently working with the material, it is not possible to manufacture latex clothing on a grand scale. Creating the items is a skilled art, which allows made-to-measure custom designs for a one-of-a-kind look. 

Much like textile clothing, the basic foundation of latex design is the pattern. This is created and adjusted using the specific measurements supplied by the customer. The difference now is the joining of the seams; it is not possible to sew latex together, as you would fabric, so it must be joined using specific latex glue. This labour-intensive method takes time and a lot of skill, which explains why latex clothing is generally more expensive than off-the-shelf high street items!

Although translucent in colour, latex can be dyed, and the current available colours range from metallic purple to orange, white, blue and more. 

Despite being such a flexible and creative material, the latex world had previously been dominated (see what I did there!) by basic designs, relying purely on the seduction of the second skin and the eye-catching shine. It was time for a change, and that's exactly why Kaori Matsubara decided to create her own pieces of sophisticated latex to flatter any woman. 

The beautiful "Art Deco" dress

In recent years stylists and celebrities have become familiar with latex, with everyone from Lady Gaga, to Madonna to Cheryl Cole donning delicious rubber. It has been recognised for it's artistic beauty too, with couture latex brand Atsuko Kudo being featured in a V&A exhibition and a ShowStudio video. 

Latex has become a fashion statement; we love seeing it being worn with everyday textile clothing for an added texture. Brands such as Kaori's Latex Dreams create couture designs, without the hefty catwalk price-tag. These sophisticated designs prove that you don't need to squeeze yourself into a catsuit to rock the trend, nor must latex be hidden away! 

If you aren't already a latex fan, or you just aren't sure where to start, we have just the thing for you. We teamed up with Kaori's Latex Dreams to create an exclusive limited edition line of latex accessories to match your Playful Promises lingerie! 

Available only at Playful Promises, the first mini-collection includes a hair fascinator (£45), fingerless gloves (£22) and matching nipple pasties (£18). Each piece of this classic range has been handmade in the UK using electric rose and black latex of high quality, and there are more designs yet to come!

Latex needs a little extra care to ensure a long life, but we put together some handy tips with the help of Kaori. Latex can be difficult to put on if you don't know how, and while it may seem too small at first glance, it is a particularly stretchy material and needs to sit tight against your skin.

1. Ensure you use talcom powder or latex-safe lubricant (usually whatever is safe to use with a condom) inside the item and on the skin it will be connecting with (for example, when putting on the gloves, please put lube/talc onto your hand and on the inside of the glove).
2. Be careful of any sharp objects such as nails when putting on the latex. Although latex is fairly thick, it is not as pliable as some fabrics and could tear against sharp edges.
3. Don't worry if you have any talc on the outside of the glove - most latex is worn polished to give an enticing shine. Polish off the talc using a latex safe silicone spray or lubricant. 
4. When you have finished wearing your latex, you can wash it in warm soapy water, rinse and leave to drip dry.
5. Store the latex in a plastic bag in a cool place, avoiding the sun (as this will deteriorate the latex).

Enjoy!!

Retro Fetish: John Willie and the Bizarre

To accompany this blog post I got together with this era's own Sweet Gwendoline, Miss Miranda for a 50's fetish inspired photoshoot! Images (exluding Bizarre artwork) ©Anna Swiczeniuk

John Alexander Scott Coutts, also known as John Willie (slang for penis, as if you couldn't guess) was often described as the Leonardo Da Vinci of fetish, famous for producing 1950s magazine Bizarre. 

Born on 9th December 1902 in Singapore to British parents, the family moved back to England shortly after. In 1923 at the age of 18, he joined the British Army. Two years later he rose to the rank of Second Lieutenant of the Royal Scots, but was forced to leave in 1925 when he married nightclub hostess Evelyn Fisher, without permission. 

Coutts moved to Australia but unfortunately the marriage ended in divorce only 5 years later. This gave him the time to work for a Sydney-based fetish club as an illustrator and photographer, and he soon became involved with one of his models, Holly Faram. They married in 1942 and moved in together; it is said that when friends visited his apartment they were greeted with a black-and-white photo of Holly, naked and tied to a tree.

 Miss Miranda wearing our Oh You Tease! set, arriving in October.

In around 1945-47, Coutts moved to New York City, while Holly chose to remain in Australia, however they remained married. This is when Coutts adopted the name John Willie and started producing Bizarre Magazine (no, not the current one of the same name). 

The original Bizarre Magazine was sold via mail order to private consumers, and comprised of fetish-themed photographs (often of his wife), stories and hand-drawn illustrations, all created by Coutts and sometimes a guest contributor. Readers sent letters in covering themes such as bondage, amputee fetishism, transvestism, corsets and more.

It was Coutts' artwork that really set the magazine apart, and secured his place in the fetish hall of fame. Using models or photographs taken himself, he drew in an anatomically correct style, using different techniques for different characters. His heroines, such as his best known character Sweet Gwendoline, were drawn in a smooth form, whereas crosshatching and pen marks characterised his villains. 

Miranda wearing our Dominique set  and some delicious Fabulously Fetish boots!

Other characters that frequented Bizarre included a dominatrix known as U69 (sometimes censored to U89) and the only prominent male character in the series, Sir Dystic D'Arcy, who was a parody of Coutts himself. 

The comics were underscored with classic slapstick comedy, and used innuendos instead of explicit sexual depictions. Each episode featured Gwendoline foiling the plans of D'Arcy, resulting in her being restrained in complicated rope bondage for the majority of the story. It was obvious that Coutts genuinely liked women, as his female characters were always portrayed as intelligent, and his males as dimwitted muscle. 

 Miss Miranda wearing our Dominique corset

The art of John Willie influenced later artists, including ENEG and Eric Stanton, with the latter later creating his own version of Sweet Gwendoline, signing his name J.W. Stanton (for "John Willie") in tribute.

Although Coutts was friends with Stanton, their publicist Irving Klaw did not approve of his artists fraternising. 

If the name Irving Klaw rings a bell, I'm not surprised. He was one of the first fetish photographers and filmmakers, and the one who "discovered" Bettie Page. Klaw began his career selling second-hand magazines, which soon moved onto operating a mail order business selling cheesecake photos of movie stars. Customers began to request more "damsel-in-distress" bondage photographs, which he and his sister Paula began to take themselves using burlesque artists. 

Although still controversial, Klaw was extremely careful that none of his images contained sexual acts or nudity, which would render his business illegal. As the Bizarre Magazine publisher he also asked Coutts to sensor some of his work, feeling that it would be too extreme for some. 

In 1957 after 20 issues, Bizarre Magazine was either given or sold to Coutts' secretary and her then boyfriend, although it is said he was never happy with how they ran it. Coutts moved to Hollywood and sadly developed a brain tumour in 1961, which forced him to return to England.

It is said he died bitter and penniless, and destroyed his archives in anger. On the 5th August 1962 he died in his sleep.

"I've tried a corset on myself and it was nothing else but damned uncomfortable. It gives a women a beautiful shape which I like but I shall get double pleasure out of using it as an 'instrument of correction'...I don't like extreme cruelty, I simply apply as much as is needed to correct disobedience."

- John Alexander Scott Coutts a.k.a John Willie